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On the occasions where he, through luck or trickery, can obtain a new car, he will invariably get in a car chase and wreck it. Because of his reputation for wrecking cars, the police department will always give him the worst vehicle available. Sometimes it is literally falling to pieces.
Hunter fire man series#
In the last season, McCall leaves the series after getting married to an old flame and is replaced by two other female detectives. She is just as pro-active as Hunter when fighting crime and doesn't hesitate to get into physical fights with the criminals, but she is less hot-headed and often acts as a calming influence on her partner. As tough as she is good-looking, she is sometimes called the "brass cupcake". He would never stoop to manufacturing evidence or framing an innocent.ĭee Dee McCall (Stepfanie Kramer) is Hunter's partner. While he tends to bend the rules and disregard orders, he only does so to get evidence against the bad guys, and his intuition never fails in picking out who is a bad guy or who isn't. Rick Hunter (played by ex-football player Fred Dryer) has a reputation for being a Cowboy Cop, which makes him less than popular among his superiors. Cannell Productions, and ran on NBC for seven seasons starting in 1984. It was created by Frank Lupo and produced by Stephen J. So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark-that place where the wave finally broke and rolled back.Hunter, the first series in the Hunter collection of Buddy Cop media, is a drama series about two Los Angeles homicide detectives, sergeants Rick Hunter and Dee Dee McCall.
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We had all the momentum we were riding the crest of a high and beautiful wave. There was no point in fighting-on our side or theirs. Not in any mean or military sense we didn’t need that. There was a fantastic universal sense that whatever we were doing was right, that we were winning.Īnd that, I think, was the handle-that sense of inevitable victory over the forces of Old and Evil. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. There was madness in any direction, at any hour. but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change). Bean shorts and a Butte sheepherder's jacket. My central memory of that time seems to hang on one or five or maybe forty nights-or very early mornings-when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time-and which never explain, in retrospect, what actually happened.
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but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world.
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San Francisco in the middle sixties was a very special time and place to be a part of. Five years later? Six? It seems like a lifetime, or at least a Main Era-the kind of peak that never comes again. “Strange memories on this nervous night in Las Vegas.